I’m a Colorado gal living in Maine, where I make the most of the long winters and gloomy springs by spending as much time as I can outside in our 20 acres of woods and fields. I hiked the Colorado Trail twice, in 1996 with my husband and in 2016 with my husband and three kids. My book tells the story of this second hike, as well as the natural and environmental history of Colorado. I’m a Maine Master Naturalist, and I’m passionate about connecting people to the natural world through nature journaling and nature writing workshops.
I wrote
Uphill Both Ways: Hiking toward Happiness on the Colorado Trail
The book, which I first read as an assignment in a college class, was my first introduction to both personal narrative and nature writing, and I was hooked. I decided right then and there that I wanted to explore the natural world and write about it when I grew up.
I was—and still am—enamored by Williams’s descriptions of wild birds, the desert landscape around Great Salt Lake, and the solace she derived from the natural world as she faced her mother’s and grandmother’s illnesses. Williams’ lyrical writing and deep knowledge of and love for her home landscape are a constant source of inspiration for my own writing and living.
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms…
Until I discovered this book in my early twenties, most of my reading about the natural world had come from male writers who encountered that world in a spirit of discovery and domination.
Dillard’s relationship with the creek she visited seemingly daily was a different approach entirely—she came as an acolyte, ready to watch, listen, and learn what the wild things of that stream had to teach her. Her writing is introspective and contemplative, and it swings wildly between esoteric readings and embodied experiences on the ground, creating a breathless, mind-body reading experience.
Pilgrim at Tinker Creek has continued to change people's lives for over thirty years. A passionate and poetic reflection on the mystery of creation with its beauty on the one hand and cruelty on the other, it has become a modern American literary classic in the tradition of Thoreau. Living in solitude in the Blue Ridge Mountains near Roanoke, Virginia, and observing the changing seasons, the flora and fauna, the author reflects on the nature of creation and of the God who set it in motion. Whether the images are cruel or lovely, the language is memorably beautiful and poetic,…
The Model Spy is based on the true story of Toto Koopman, who spied for the Allies and Italian Resistance during World War II.
Largely unknown today, Toto was arguably the first woman to spy for the British Intelligence Service. Operating in the hotbed of Mussolini's Italy, she courted danger…
After the birth of my second and third children (twins!), I felt further than ever from my dreams of being a nature writer. Even the natural world outside my window seemed impossibly far away while I was indoors, contending with the demands of two babies and a preschooler.
When those babies were about two years old, I discovered, by accident, this book, and my life changed. In its pages, Louise Erdrich showed that careful attention to and contemplation of the natural world was not only possible for mothers of small children but that motherhood itself can make us more attuned to nature, more empathetic, and more clear-eyed and fierce.
New York Times bestselling and award-winning author Louise Erdrich’s moving meditation on the experience of motherhood—the first nonfiction work by one of the most acclaimed authors of our time.
Louise Erdrich’s first major work of nonfiction, The Blue Jay’s Dance, brilliantly and poignantly examines the joys and frustrations, the compromises and insights, and the difficult struggles and profound emotional satisfactions the acclaimed author experienced in the course of one twelve-month period—from a winter pregnancy through a spring and summer of new motherhood to her return to writing in the fall. In exquisitely lyrical prose, Erdrich illuminates afresh the large and…
A friend gave me a copy of this book when my kids were small, and it was my first indication that there is life after kids, my first glimmer of light at the end of the tunnel. Over the course of the book and several years of their lives, Ross, her husband, and their two kids hiked the Continental Divide Trail, beginning with the Colorado Trail portion when the kids were one and three years old.
Reading this book planted the first seed in my mind that, one day, my husband and I would revisit the Colorado Trail, which we’d hiked five years before our first son was born, with our three kids in tow. It took us until they were 11 and 15, but we did it!
Beginning when their children were one and three years old - barely old enough to walk across their living room rug - Cindy Ross and her husband spent five extraordinary summers hiking the length of the 3,100-mile Continental Divide Trail from Canada to Mexico. Ross undertook the challenge to teach her children that any worthwhile experience comes with its own set of challenges. Scraping Heaven is a revealing, touching account of one family's metamorphosis - an appealing adventure in a setting few will ever encounter. It is both an entertaining narrative of the trek and a heartfelt record of one…
This memoir chronicles the lives of three generations of women with a passion for reading, writing, and travel. The story begins in 1992 in an unfinished attic in Brooklyn as the author reads a notebook written by her grandmother nearly 100 years earlier. This sets her on a 30-year search…
Dungy’s beautiful book demonstrates that the wild doesn’t have to be a pristine mountain wilderness, far removed from other people. The wild in her book is a place she creates herself by turning a suburban yard into a refuge of wild plants and critters.
As a lazy gardener, I admired the astonishing amount of labor she put into replacing rocks and lawns with beautiful blooms while battling bindweed and other undesirables. I related to her struggles with parenting and writing through the pandemic, and I appreciated her musings on colonialism and racial violence. Having read her book, I might even put more effort into my garden.
A seminal work that expands how we talk about the natural world and the environment as National Book Critics Circle Criticism finalist Camille T. Dungy diversifies her garden to reflect her heritage.
In Soil: The Story of a Black Mother’s Garden, poet and scholar Camille T. Dungy recounts the seven-year odyssey to diversify her garden in the predominately white community of Fort Collins, Colorado. When she moved there in 2013, with her husband and daughter, the community held strict restrictions about what residents could and could not plant in their gardens.
In resistance to the homogenous policies that limited the…
One grouchy husband. Three reluctant kids. Five hundred miles of wilderness. And one mom, determined to escape the humdrum existence of modern parenting and a toxic work environment for the family adventure of a lifetime.
In my book, I walk readers through the natural, cultural, and environmental history of the Colorado Rockies while revisiting a hike on the same trail two decades earlier. As I inch along the trail, I start to exercise disused smile muscles despite the challenges of hiking in a middle-aged body and contending with marital discord. I find moments of joy, learn that being a slow hiker does not make me a bad hiker, and begin to uncover the secret to happiness.
Me and The Times offers a fresh perspective on those pre-internet days when the Sunday sections of The New York Times shaped the country’s political and cultural conversation. Starting in 1967, Robert Stock edited seven of those sections over 30 years, innovating and troublemaking all the way.
This climate fiction novel follows four generations of women and their battles against a global giant that controls and manipulates Earth’s water. Told mostly through a diary and drawing on scientific observation and personal reflection, Lynna’s story unfolds incrementally, like climate change itself. Her gritty memoir describes a near-future Toronto…
